Village quilts 2 & 3

It’s been a few months since I shared my first village charity quilt, and back in May I wasn’t as on track as I’d wanted to be to meet my ‘one a quarter’ plan, but it’s amazing what a difference a couple of months can make, as here I am with the second and third of this style of quilts - and I still love making them so I think there will be plenty more.

But 2 & 3…

Mum came along to the July Saturday sewing group meeting with me and at that meeting I seemed to steam through topping up my house pile to make another top. I know I need 30 houses for each quilt top, so when I think I’m close and then find out I’m not as close as I thought, I put my foot down.

Anyway at that sewing group meeting I completed the top for the second quilt - and as you’ll notice one of the houses on the second row has a more modern take on the roof shape. It’s an oops, but an acceptable oops in this style of quilt, as well, not all houses look the same anyway do they?

Village 2 quilt top

VILLAGE 2 QUILT TOP

I enjoyed piecing this so much that over the next few days I completed the top for my third village quilt.

Village 3 quilt top

VILLAGE 3 QUILT TOP

I love how they look so different, but are so clearly the same design. Some fabrics are used in both quilt tops, and some will continue to feature for a quilt or two more I’m sure, while I’ve probably used the last of some in these quilts.

I decided it would be sensible to choose two different backings for these quilts, as it made sense to batch the remaining tasks. This led me to another ‘design decision’. I was keen to use the bluey/grey and white dot fabric with the yellow flowers as a backing for the final time, but if I added two borders I wouldn’t have quite enough. I guestimated that with a single border I could use it as backing, and even better I could use that material on the front too as a border, though I wasn’t quite sure how it would work as previously I’d used the cream border.

There was only one way to find out

So both quilts were basted and quilted, then trimmed ready for binding.

Village 2 quilted and trimmed, ready for binding

VILLAGE 2 QUILTED

Village 3 quilted and trimmed, ready for binding

VILLAGE 3 QUILTED

The patterned border makes them look quite different again, doesn’t it?

Both quilts ready for the binding and finishing

I like it though, and it’s persuaded me to be bolder with some of these quilts in the future. But discipline meant that I needed to finish these quilts before I’d let myself play with any future colour schemes, and I wanted to include both of these in my donation early in September.

The completed village 2 quilt hanging on my bannister

VILLAGE 2 FINISHED

The completed village 3 quilt hanging on my bannister

VILLAGE 3 FINISHED

I’m pleased with both of them and love how they’re both the same but also so different - and I hope that they’ll provide a hug to someone that needs one soon.

You can see my other quilts I’ve made to donate to Project Linus - a charity whose mission is to provide love, a sense of security, warmth and comfort to children, who are sick, disabled, disadvantaged or distressed through the donation of new, homemade, washable quilts and blankets.

Post Comment Love 11 - 13 September

Hello there, welcome to this week’s #PoCoLo - a relaxed, friendly linky which I co-host with Suzanne, where you can link any blog post published in the last week. We know you’ll find some great posts to read, and maybe some new-to-you blogs too, so do pop over and visit some of the posts linked, comment and share some of that love.

Please don’t link up posts which are older as they may be removed, and if you see older posts are linked then please don’t feel that it’s necessary to comment on those. If you were here last week it was great to have you along, if you’re new here we’re pleased you’ve joined us.

Thankfully this week has calmed down a fair bit, and it’s meant we’ve been able to have a bit more time at home than before. Though there were still some outings that were not to be missed, including the new Wool Show at Newark at the weekend where I was impressed at the restraint I showed and only buying things on my list. In fact I think I took more wool with me than I actually bought, which I’m sure isn’t how it’s supposed to work, but hey ho!

I also went to a workshop to make some wire flowers. It turned out to be an incredible mindful activity, and while the vase of flowers and seed heads look like a tangled mass of squiggles (which isn’t entirely wrong) if you look closely there are some different, and hopefully distinguishable, flowers and shapes in there. I think the vase will look better with less in, but as I said it was great fun, I’ll share more in a post sometime soon.

Have a great week.

A glass vase of squirly wire flowers

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The Mill Ruins

* I was invited to this year’s Gardeners’ World Live preview and provided with a pair of tickets for the show, therefore all my posts will be marked as 'Ad’ though as usual my views and opinions are very much my own.

In a strange quirk of fate I’m back today talking about mills. Yesterday it was sculptural woven tapestries inspired by a textile mill in West Yorkshire, and today it’s a garden inspired by the remnants of Lancashire’s historic mills. I’d like to say I planned it this way, but I didn’t - though I wish I had!

This garden on the APL Avenue was the first garden we saw at this year’s show, and it was a very good place to start. The garden, designed by 3DG explores a quiet moment where industry gives way to nature.

Looking through the Corten steel into the centre of the garden

As I previously said it’s inspired by the remnants of Lancashire’s historic mills, reclaimed brick, Corten steel and weathered oak echo the fragments left behind as the landscapes regenerate.

The Corten steel arch is definitely the eye catching entrance a show garden could hope for, but this garden is so much more than that. The path winds around layered planting and a shallow reflective pool, plus spotting those yellow red hot pokers in my first garden of the show is always going to be a win for me.

Spotting yellow red hot pokers in the border's planting
The path meanders around the central feature of the garden

The rain chain introduced sound, and was a subtle nod to the water than once powered the mills.

The rain chain behind the central feature with the sound of water

The majority of planting in this garden is native to the UK, and selected for its biodiversity and to soften the architectural forms. And while we might not all have these architectural elements in our gardens, unless we’ve added them of course, we can take inspiration from the planting.

a part brick wall in the foreground, with a seating area in the background on a raised platform

The Mill Ruins is a garden about renewal, where structure fades, and nature quietly takes back control - and I love that for it, and I love this garden. I knew when I saw this garden that it was going to be a good show, and it certainly was.

* With thanks to Gardeners’ World for once again inviting me to Gardeners’ World Live, it was another great show! I’ll be sharing more from my visit to this year’s show throughout the year - I hope you enjoy it as much as I have.